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    <loc>https://www.anniemarch.com/about-annie</loc>
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      <image:title>About Annie - Annie March</image:title>
      <image:caption>is a Tasmanian writer, teacher, sailor, gardener and grandmother with a passion for social, ecological and religious justice. She loves cats, words, islands, learning the piano and being outdoors whatever the weather. Image credit: Ben Buckland, Boronia Beach, March 2020 www.benbuckland.photo</image:caption>
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      <image:title>As A March Hare - As A March Hare: Dances of Personal and Cultural Transformation</image:title>
      <image:caption>Excerpt: CROONING CROWNING CRONING… As A March Hare is my sixtieth birthday gift to myself, an island and a planet. It’s essence and distillation of Annie, all the angels and all the demons. ‘March’, my mother’s birth-name, which I took by deed poll in 1988, means ‘dweller on the boundary’, and celebrates not just my foremothers but the centripetal role of edges in my life. I’m fascinated by thresholds and liminality; the hourglass ways between the inner and outer worlds – valves, cervices, causeways, hinges, wormholes; the nature of boundaries from the osmotic to the impregnable; and the qualities of good gatekeepers, midwives and guard-geese. Who’s inside? Who’s outside? By what pusillanimity and failure of cultural imagination do we displace and lock up not just ‘criminals’ but the young, the old, refugees, the mad, animals and wilderness? As for March hares, they dance spring and sexuality and wildness. If that’s crazy, it’s also much more truthful than contemporary culture. “I own, I consume, therefore I am,” isn’t just a paltry way of being human, it’s ecocidal. We’ve vandalised, squandered and poisoned so much of the future that I’m ashamed to look my children’s children in the eye. They’re enslaved before they’re even born, and, assuming they survive, will be cleaning up our middens for generations.</image:caption>
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    <lastmod>2021-12-15</lastmod>
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      <image:title>Bright Shillings of March - Bright Shillings of March: Thinking Like a Biosphere</image:title>
      <image:caption>Excerpt: Threnody Sometimes I hate the sky because it steals my children. I stand keening and floddered in the windy grass beyond Hobart airport as they’re borne beyond the silky blue hills, and vanish as wholly as if they’d never been. The wrench is placental; the lochiae of mourning can last for weeks. Comings are short, and goings over-long. During one quick, rare coming we spent a halcyon day on Bruny Island. Two Tree Point was once the home of the Nuenonne people. Captain Cook watered here. Then came whalers, forest-fellers, and later, a murrain of shacks. While my clan constructed a sand-city, I beachcombed, probing the disquiet within the idyll. The sea, luciloquent and turquoise in this sheltered bay, was acidifying. Phytoplankton – a million of these exquisitely diverse plants live in every litre of sea-water – generate half Earth’s oxygen; catalyse cloud formation, hence weather; are a major carbon sink and the basis of the marine food chain. Plankton cannot form skeletons in acidifying oceans; an invisible biospheric matrix, on which human wellbeing depends, is dying.</image:caption>
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      <image:title>Firebird Rising - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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